The film will center on two prisoners serving time at Waxter, a Maryland juvenile detention center, after committing violent crimes. Press ESC to cancel. However, the film ignores their concerns regarding the young girls and regarding the system. At the Quad Cinema, 34 West 13th Street, Greenwich Village. However, her mother is a struggling drug addict who is unable to offer the care and support that she required. The girls have traumatic experiences that affect their relationship with others. So she held his hand, Review: Beau Is Afraid is quite an odyssey, but not necessarily an oughta-see. But it also made me wonder, why was Megan not looked after in essence like Shanae was? Her emotional responses are not well adjusted. Megan is not malicious, and her mischief is probably a cry for attention. Documentary film is a powerful medium for psychology course instruction, providing examples of concepts, issues, and theoretical principles, embedded in the realworld human experience. In Garbus film, Shanae and Megans girlhood set up a dichotomy: girlhood is good, everything else threatening, extraneous and intrusive, instead of part of the story of girlhood itself. In the documentary, we learn that she runs away from foster care eleven times, ten before Waxter and once more after leaving Waxter. Our managing editor an award-winning journalist has spent the past 7 years refining our roster. Even though she has been through the trauma of murdering another girl, it seems like the rape ordeal was the first trauma that led to the myriad of deviant behavior (Garbus, 2003). Girlhood focuses on the life of two young juveniles, Shanae Owens and Megan Jensen both incarcerated for violent crimes. One of the biggest criticisms that Garbus. After her release, 19-year-old Megan appeared on "The Oprah Winfrey Show" alongside another troubled teen, Shanae. By what name was Girlhood (2003) officially released in Canada in English? Juvenile Delinquency MPAA rating: Unrated. Open Document. The girls have traumatic experiences that affect their relationship with others. Just last week Waxter made headline news in Maryland after having been labeled by one childrens rights advocate as a house of horrors. At Waxter, girls like Shanae who have been sentenced for crimes, girls who would make mincemeat of the fillies in Thirteen, are placed alongside those who, as one news story put it, have not been found guilty of anything yet. Except, perhaps, being born poor and grievously disadvantaged. [ClickEssay Writerto order your essay]. . In this article, I honor the significance of girl culture by accounting for The Craft's appeal to girl audiences. All Rights Reserved. Today, the Baltimore native is living in North Carolina and acknowledges that she wasn't in a good place during her "Oprah Show" appearance. New York: Psychology Press. In the movie, we were able to watch two female offenders in the juvenile justice system. A wild, tough-talking girl of mixed race who has run away from 10 foster homes, she was incarcerated for attacking another foster child with a box cutter. Treating the girls girlhoods as linear stories of overcoming erases the fullness, pain and challenge of all that comprises their girlhoods. ''Girlhood'' is the newest entry in Ms. Garbus's long list of socially concerned documentaries made for theaters and television. When she originally returned to Baltimore, Megan's life went downhill. What Parents Need to Know. The new documentary "Girlhood" isn't a horror movie, but there isn't another movie this year that chills the blood as quickly as the brief exchange caught on camera between a 15-year-old girl. She is often well behaved, but she still shows bouts of mischief. She Alba Sotorra is an independent filmmaker and producer based in Barcelona. Documentary chronicling America's justice system. Girlhoodshows day-to-day scenes in the girls' lives at Waxter, allowing you to really familiarize yourself with them. Finally, she becomes distraught when her relationship with her mother ends. Similarly, she seems to suffer from ambivalent attachment because she is always distressed when she is unable to receive affirmations from her mother. The hard cases penned up here are girls whose youth, bright smiles and flashes of irritation at being kept under lock and key belie their grim, violent histories. See production, box office & company info. 2 Working within the filmic fairy tale adaptation cycle that emerged between 2005 and 2015, this thesis investigates how girlhood is cinematically constructed through the lens of The documentary Girlhood offers an insight on the emotional, psychological, and social reasoning behind the girl's actions. Shanae was only 11 at the time and had tumbled into a numbed existence of drinking and drugs after being gang-raped by five boys. 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The project, titled "Hood Girls," will be written and directed by Miriam Kruishoop ("Greencard Warriors") and produced by Atlantic Screen Productions. Editor Mary Manhardt. How A Violent Teen Who Had Given Up On Life Turned It All Around. You get a sense of just how complicated when Shanae finally cops to her guilt. After all, Shanae explains, at least the dead girl is in heaven. Brody, R., & Dwyer, D. (2016). girlhood documentary "Girl Hood" is a documentary film directed and produced by Liz Garbus that follows two teenage girls, Shanae and Megan, over the span of three years, from the time they are in the all-girls juvenile detention center at Thomas J.S Waxter Children's Center in Laurel, Maryland, to when they are out in the real world. When Megan talks of her mother, it is apparent that Megan suffers from her neglect and lack of structure. One characteristic of resilience that Megan portrays is her perseverance. After Megan and her mother have falling out and are no longer speaking, the film again shifts focus to Shanae, who has now just lost her mother to heart failure. All the same, Marieme (Karidja Tour) goes through nearly as many shifts in appearance and identity as Boyhood's Mason. Assignment #2 In class we viewed documentary titled Girlhood, the film surrounded two teenage girls named Megan and Shanae. This age difference is crucial because there is a mutability associated with Times guidelines: Adult language, some drug use, strong emotional content. Or do some simply have the psychological equipment to move on while others don't? Copyright 2022 My Essay Writer. With the help of her mother, Shanae can graduate from high school. Once Shanae begins to face the reality of what she did, she is transferred to a group home and begins to flourish. The pair form a strong friendship and, under the guidance and treatment of a dedicated psychotherapist, endeavor to change their lives and strive for a brighter future. Theres no denying the seduction and importance of a lot of this work, but sometimes it isnt enough to turn a camera on other peoples catastrophes. Chineye died from her wounds, and Shanae was sent to a juvenile detention center that housed some of the most violent young offenders . As for the staff of the Waxter, they were awesome. Even though her mother has a problem with drugs and prostitution, she is distressed when she does not receive visits or calls from her. I have three lovely kids," she says. Revise AS Level Psychology. (See also: her 2003 documentary Girlhood.) In the film's most compelling scenes Megan confronts Vernessa, who has been released from prison and who professes her love and determination to be an anchor for her daughter. In class we watched the video Girlhood. The impulse to end on an up note, to turn complex and contradictory lives into palatable narratives, is one of the least-examined pitfalls in nonfiction filmmaking. Shanae is a plump black girl who mentions she lost her virginity in the Baltimore projects when she was 10, was raped by 5 boys at 11, and did drugs in her . "I just lost all respect for myself," she says. This film is not rated. Oprah later told her she was the first person she had interviewed who had ever walked out on her. As you watch it, you wish the film would fill in more of each girl's background. Innumerable advancements and innovations have profoundly contributed to the betterment of the lives of the human race in the twenty first century. Shanae was ten years old when she was gang-raped by five boys. In the documentary Girlhood, Liz Garbus follows two young women who have encountered numerous misfortunes in the past that led them to implement their violent offences. In 1997 on a Baltimore street, Shanae got into a fight with 13-year-old Chineye Mills, allegedly over a boy. ''Girlhood, which was shot in 16 millimeter, is a bare-bones affair, as spare as the juvenile institution in which much of it was filmed. In Garbus version of their lives, these experiences do not bring them down. They emerge triumphant; their girlhood, we end up hoping, will be salvaged. LA Times reviewer Manohla Dargis notes, Garbus obsession with levity ultimately triumphs, leaving us with an unfinished picture: [T]o turn complex and contradictory lives into palatable narratives, is one of the least-examined pitfalls in nonfiction filmmaking. First, she has goals and aspirations. Additionally, the film has also been criticized for ignoring the workers at Waxter. Hood Girls will cover a considerably longer span of Watkins and Stahls lives than Girlhood did. Her future appears shaky. Harrowing moment medics rush to save Jeremy Renner's life after he was crushed by 14,000lb snow plow - as actor is seen sprawled on the ground in a pool of his own blood and with 35 broken bones Privacy Policy. The documentary Girlhood follows the lives of two girls, Shanae and Megan, from 1999-2002, during and shortly after their release from Waxter Juvenile Facility in Maryland. Miriam has proven to have an incredibly strong voice when it comes to tackling tough, timely and complex stories that often take place in urban settings but resonate far and wide, Fawcett said. The films protagonists, Megan Jensen and Shanae Watkins. "I am halfway through my Associates in Arts degree. . She tries to reach out to her mother multiple times despite being disappointed numerous times. "Oprah: Where Are They Now?" Impact of Trauma Even more disturbing is Megan's real acknowledgement of this abandonment. We wont be able to verify your ticket today, but its great to know for the future. http://www.rottentomatoes.com/m/girlhood Aired on 07/20/2014 | CC tv-pg In 2003, Oprah spoke to Megan, a teenage girl who had spent time in a juvenile detention facility for some of the country's most violent youths. [Write my essay for me? Get help here.]. Theres no suggestion that the teenager feels any true remorse, only that shes learned how to deploy the same hollow psychological platitudes as her jailers. Garbus explains that she encountered the contradictions of Shanae and Megans girlhoods early on; she mentions that she was struck by [Shanaes] little girl-ness, her innocence, but this was complicated by what she learned about the violence of her crime. That is to say, Garbus sees crime and girlhood as opposite experiences. Megan's mother was a drug-addled prostitute, and after being placed in, and escaping from, nearly a dozen foster homes, Megan committed a violent crime. The effects of detention have been researched and discovered to be detrimental to the safety and mental health of the juvenile, as well as increase the chance of recidivism. Megan, a pretty girl with a devilish gleam in her eye, tries to get by on charm, but she doesn't have Shanae's focus. Footage of the two girls is then followed along with more title cards that give insight into the crimes they have committed. Strength-Based Approaches In the end, it seems the title Girlhood is both revealing and a misnomer: this film is about the liminal space of girlhoods colored by destabilizing events in their lives (and the larger systems and circumstances dictated by a society that easily discards the humanity of girls, people of color, queer people, differently abled people and poor people). Mary Celeste Kearney writes that in approaching girlhood, sociological research, interestingly, often focused on female juvenile delinquency. In recent years, however, Girlhood Studies has grown to include and account for multiple narratives of girlhood, and actively attempts not to make girlhood inferior to womanhood, or take it less seriously. When she grows older, it is clear that she is still affected by the feeling of neglect and she believes nobody is looking out for her interest (Garbus, 2003). These girls are the subjects of Liz Garbus' documentary, Girlhood. http://sites.google.com/view/ehdwjwbxfu/linkedlist-member-modification-c, Your email address will not be published. Privacy Policy, Download this Essay in word format (.docx), Juvenile Detention Alternatives Initiative, Juvenile Detention and Corrections Standards, New Juvenile Detention Center, if Given Unlimited, Girlhood Juvenile Delinquents Shanae Megan Waxter Juvenile Essay. New and Upcoming Science Fiction and Fantasy. Megan's mother was a drug-addled prostitute, and after being placed in, and escaping from, nearly a dozen foster homes, Megan committed a violent crime. Shanae's family -- and her mother in particular -- repeatedly demonstrated that they loved her and wanted her to make a change for the better. Director Liz Garbus See production, box office & company info Search on Amazon search for Blu-ray and DVD Add to Watchlist Added by 1.8K users Girlhood made its U.S. premiere at SXSW 2003, where it won the Audience Award for Documentary Feature. She gets her place to live. Cannily positioned in the U.S. as the distaff answer to Richard Linklater's Boyhood, Cline Sciamma's third feature (following Water Lilies and Tomboy) Girlhood doesn't follow its protagonist over the course of 12 years, or even over more than a year or so. Then, everything changed when Megan got pregnant. Decent Essays. Shanae shows certain resilience characteristics that help her reform her life. The documentary "Girlhood" follows the lives of two girls, Shanae and Megan, from 1999-2002, during and shortly after their release from Waxter Juvenile Facility in Maryland. As the documentary end, it is clear that Megan is afraid to trust others. But its staff emerges as a caring if overstressed group of people who do what they can to steer the girls in their charge toward a productive life. In the beginning, Shanae is not remorseful for committing murder (Garbus, 2003). Producers Liz Garbus, Rory Kennedy. With these questions in mind, I use feminist textual analysis to examine three filmsNausica of the Valley of the Wind (1984), Kiki's Delivery Service (1989), and Princess Mononoke (1997)by acclaimed Japanese animator Hayao Miyazaki in which girl characters and girlhood play prominently into the film's construction as a whole. Not be published wish the film would fill in more of each 's... 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