Scaled-down reproduction of Abstraccin Geomtrica by Margarita Azurdia (disappeared), 30x26 inches, oil on canvas, 2016. 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In the late 1950s, while temporarily living in Palo Alto, California, Margarita Azurdia began to explore the visual arts thanks to the free workshops at the San Francisco Art Institute. Margarita Azurdia was a key figure in the vibrant art scene that surfaced in Guatemala in the mid-1960s, her extensive output spanning painting and experimental dance, sculpture, installation and the creation of artists books assembled with drawings, collages and poems. Into the 1970s, Clark continued making works that explored erotic psychoanalysis, social dynamics, and collective consciousness. Together, they founded an experimental dance group called Laboratorio de Creatividad, which became a vehicle for their interest in movement, the origins of ritual, and sacred dance. Margarita Azurdia (Antigua, Guatemala, 1931-1998) was Margot Fanjul during her married years, she responded Margarita Rita Rica Dinamita is the first monographic exhibition in Europe dedicated to Margarita Azurdia (Antigua Guatemala, 1931 - Guatemala City, 1988), . Canadian, 1856 - 1924, Markiana Boyechko During this period, she began to experiment with her own spiritual and ritual language. Azurdia died in 1998. Margarita Azurdia (born April 17, 1931 in Antigua, Guatemala, died July 1, 1998 in Guatemala City, Guatemala), who also worked under the pseudonyms Margot Fanjul, Margarita Rita Rica Dinamita, and Anastasia Margarita, was a feminist Guatemalan sculptor, painter, poet, and performance artist.[1][2]. "Margarita Azurdia, 19711974." El encuentro de Una Soledad (An Encounter with Solitude), included in a group exhibition organised by the Au Lieu dimages gallery in Paris in 1979, 27 apuntes de Margarita Rita Rica Dinamita (27 Notes by Margarita Rita Rica Dinamita, 1979), Des flashbacks de la vie de Margarita par elle mme (1980) and 26 anotaciones de Margarita Azurdia (26 Notes by Margarita Azurdia, 1981) are other examples of artists books from this period, in which Azurdia plays with words, humour, and often discordant rhythms. Exhibition title: Margarita Rita Rica Dinamita, Venue: Museo Nacional Centro de Arte Reina Sofa, Madrid, Spain, Photography: all images are copyrighted. Margarita Azurdia studied at the Escuela Nacional de Artes Plsticas, and at McGill University of Liberal Arts-College Margarita Burgeois, of San Francisco, California. Azurdia's series Asta 104 received an honorary mention at the 10th Bienal de So Paulo in 1969 and signaled the artist's lifelong search for the identity of human beings in the cosmos. From 1971 to 1974, Azurdia made an emblematic series of sculptures known as Homenaje a Guatemala (Homage to Guatemala), made up of fifty wood carvings commissioned to artisans specialised in religious figures, resulting in a set of assemblages with artisan objects, zoomorphic figures and women wearing boots, rifles and tropical fruit evoking the altars of the altiplano towns in Guatemala and referencing the cultural and religious syncretism imbuing the complex history of Guatemala. Primarily self-taught, she first became known as an artist under the name Margot Fanjul. . In 1974 Margarita Azurdia moved to Paris, which was a hotbed of revolutionary ideas, and began to frequent circles of women artists who encouraged her to radically change her notions about women and art. In 1969, she received an honourable mention at the X Bienal de So Paulo for the series Asta 104, consisting of five large sculptural paintings entitled tomo (Atom), Ttem (Totem), Trptico (Triptych), Lotus, and Personna. Courtesy of Milagro de Amor, legacy of the artist. Margarita Azurdia (born April 17, 1931 in Antigua, Guatemala, died July 1, 1998 in Guatemala City, Guatemala), who also worked under the pseudonyms Margot Fanjul, Margarita Rita Rica Dinamita, and Anastasia Margarita, was a feminist Guatemalan sculptor, painter, poet, and performance artist. [1], After her death in 1998, her home in Guatemala City (located at 16-39 5th Avenue, zone 10) became a museum, the Museo Margarita Azurdia,[1] where many of her paintings, sculptures, and photographs are displayed. Una: La historia de Margarita Azurdia. Azurdia's art often reflected the Guatemalan culture, was critically acclaimed, and is in museums and private collections throughout the world. For the recreation of the artworks, NuMu commissioned the artist Akira Ikezoe. These altars modified with her own drawings as well as photographs, posters, musical instruments and pottery from her rituals and dances, arranged around a deity, are the best compilation of her explorations: an artistic and personal evolution that allowed her to understand the flow of life. She was a multifaceted artist with an innate interest in fluctuating between diverse artistic languages and distinct geographic points around the world. The exhibition Margarita Azurdia. For the realization of this exhibition, images published by. Pellecer Mayora, Mara del Carmen. [1][3] The sculptures were carved by local artisans to her specifications,[2] and incorporated ornamental figuresplaster skulls, masks, feathers, pedestal tablesthat Azurdia collected from local artisans' stalls. She presented a group of oil paintings with a limited palette that looked to American Expressionism and Informalism, and a series of concentric oval-shaped paintings in contrasting colors. She also took contemporary dance classes. [5], https://en.wikipedia.org/w/index.php?title=Margarita_Azurdia&oldid=1143644855, This page was last edited on 9 March 2023, at 01:05. info[at]aware-art[. Tradition, spirituality, the origin of life and nature are themes that exerted a great influence on the work of Daisy Azurdia (Guatemala 1931-1998). As part of the exhibitions public program, NuMu headstarted a long-term oral history project, by engaging in a series of interviews with people who, in one way or another, knew and spent time with Margarita Azurdia. Biography When the group disbanded around 1985, Azurdia continued her explorations of sacred dance, everyday ritual, feminine spirituality, and unity with the earth. Essays, written by four experts on her legacy Rossina Cazali, Emiliano Valds, Cecilia Fajardo-Hill and Anabella Acevedo comprehensively approach her artistic career arc and life, centring on aspects such as her relationship with the national and international art world, the prolific and multi-faceted side that characterised her work, the multiple creative metamorphoses it underwent, and the importance of the raised awareness of self and spirituality and care for nature that she practised. Get the best price for your artwork or collection. Canadian, 1984, Ursula Johnson Upon her return to Guatemala in 1982, she met artists Benjamn Herrarte and Fernando Iturbide, with whom she formed the experimental dance group Laboratorio de Creatividad, channelling her concerns by exploring movement, the origins of ritual and sacred dance. When Margarita Azurdia passed away in Guatemala City in 1998, she left behind a transcendent legacy. (+34) 91 774 1000 +33 (0)1 55 26 90 29. [1] Between 1971 and 1974, Azurdia created a series of fifty wood figurative sculptures, titled "Tribute to Guatemala" (Homenaje a Guatemala), that combine the sacramental with the profane. The result is highly sophisticated artwork for its time, which oscillates perfectly between the Mayan Cosmovision and international geometric abstraction. Margarita Azurdia next to a sculpture from her series 'Minimalist. He was also selected as one of the artist member of100 Painters of Tomorrowby Beers Contemporary and Thames & Hudson in 2014. HAMMER MUSEUM Guatemala City: Tipografa Nacional, 2011. The survey delves into her career, journeying through her vast output, which spans painting, sculpture, non-objectual art and artists books drafted with drawings, collages and poems. The scaled-down replicas presented in Geometries and Sensations were created in New York by the Japanese artist Akira Ikezoe. View upcoming auction estimates and receive personalized email alerts for the artists you follow. Browse map, Some rights reserved. Whether she was Margot Fanjul, Una Soledad, Margarita Rita Rica Dinamita, or Margarita Anastasia, her chameleonic nature caused her to be swallowed up in the Latin American art world, but it also allowed her to re-emerge later as one of the most interesting artists in Guatemalas small art scene. Get Maps and Directions. Margarita Azurdia next to a sculpture from her series 'Minimalist. Visit. Azurdia's work reflects her feminist and anti-establishment views. Group Exhibitions. In Diccionario de imgenes (Dictionary of Images, 1979), Margarita Azurdia brought together crayon and watercolour drawingsincluding some inspired by medieval artto create an inventory of images, descriptions, and phrases, as a kind of idea bank for future works. Accessibility & Amenities; CMOA . She was a multifaceted artist with an innate interest in fluctuating between diverse artistic languages and distinct geographic points around the world. In doing so, Ikezoe researched Azurdias visual methodology, and relied on images found in the catalogue Tres Mujeres, Tres Memorias: Margarita Azurdia, Emilia Prieto y Rosa Mena Valenzuela (TEOR/Tica, 2009). The series of paintings on paper and collages Recuerdos del planeta Tierra (Memories of Planet Earth), dating from the same period, takes a holistic and nostalgic approach to womens historical relationship with nature and the planet through the Goddess Gaia and the Mother Goddess, which were key aspects of her work in her last period. With her presentation of manipulable marble abstract sculptures at the 3rd Bienal de Arte Coltejer in Medelln, Colombia, in 1972, she sought to solicit public participation in her work. In 1982 she returned to Guatemala and founded an experimental performance group, Laboratorio de Creatividad, which included the artists Benjamin Herrarte, Marta Olga Herrarte, Lucrecia Herrera, Fernando Iturbde, Maria del Carmen Pellecer Mayora and Marie Joe Rochas. Courtesy of the artist and Museo Nacional Centro de Arte Reina Sofa Margarita Azurdia. Margarita Azurdia. In addition to becoming immersed in contemporary dance, Azurdia focused on writing and illustrating several of her artists books. Exhibition Information Sheet: Margarita Azurdia. His solo exhibitions includeel fin del este coincide con el fin del sur,Proyectos Ultravioleta, Guatemala City (2015);Drawing,Ise Cultural Foundation, NYC (2012);Repeater, Sanagi Fine Arts, Tokyo (2010) andEphemeral Garden, Esso Gallery, NYC (2009). Margarita Azurdia. Por favor quitarse los zapatos (Please take off your shoes), 1970. The paintings from the series From the mid-1960s to the beginning of the decade that followed, Azurdia made incursions into geometric forms inspired by Indigenous textile designs from Guatemala, applying them chiefly to painting her series Geomtricas (Geometric Paintings) went on show at Galera DS in Guatemala City in 1968. Archives of Women Artists, Research and Exhibitions, Margarita Azurdia, Favor quitarse los zapatos [Please take off your shoes], 1970, photographic documentation of interactive installation three black-and-white photographs, Biblioteca Pblica Piloto, Medelln, Margarita Azurdia, La Libertad [Freedom], 1970-1974, wood with polychrome and plaster with string, horsehair and metal hook, 139.7 x 58.42 x 45.72 cm, Five Colleges and Historic Deerfield Museum Consortium, Margarita Azurdia, Las Bananeras de Homenaje a Guatemala [The banana plantations of Tribute to Guatemala], 1971-1974, Margarita Azurdia, Soy dos vidas con dos vidas [I am two lives with two lives], 1971, marble, 74 cm high, Arte del Banco de la Rebublica collection, Margarita Azurdia, The Coming of the Goddess, 1970-1974, wood with polychrome and plaster with feathers, twine and horsehair, 124.46 x 137.16 x 27.94 cm, Five Colleges and Historic Deerfield Museum Consortium, Margarita Azurdia, Untitled, ca. In her work she assimilated local culture and discussed gender issues in the context of the Guatemalan civil war (1960-1996). NextGenerationEU, Plan de Recuperacin, Transformacin y Resiliencia, Ministerio de Educacin, Cultura y Deporte, Portal de Transparencia | Gobierno de Espaa, Donations and long term loans at the Museo Reina Sofia. At the III Bienal de Arte Coltejer, her series of mobile marble sculptures were notable for being subject to the impulses that spectators brought to the works. Today. On her return to Guatemala in 1982, Azurdia met artists Benjamn Herrarte and Fernando Iturbide. Azurdia's work reflects her feminist and anti-establishment views. These sculptures reflect Azurdia's anti-establishment and feminist views, through the lens of Central America. [1] Through this group, Azurdia explored the notions of ritual in everyday life, space, and time through the medium of dance. In 1962 Azurdia exhibited her first painting, a self-portrait. The exhibition Margarita Azurdia. For instance, at the Second Coltejer Art Biennial in 1970, held in Medelln, the artist left behind her predominantly pictorial work and adhered more to the spirit of the times with the installation Por favor quitarse los zapatos (Please Take Off Your Shoes), created specifically for the event, whereby she invited viewers to delve into a place of sensorial experimentation through performative and interactive elements. Restaurant Hours [2], After spending eight years in Paris where she focused on her poetry and painting,[2][3] Azurdia returned to Guatemala in 1982, where she defended animal rights, gave workshops on the origins of sacred dance, and continued to write poetry. Around that time, the internal armed conflict in Guatemala established Cold War dynamics that gradually began to restrict freedom of expression and fuel the repression of dissidents and intellectuals. During the 1960s Azurdia produced critically acclaimed large-scale abstract paintings, some composed of rhythmic arrangements of parallel lines, others consisting of large, flat fields with geometric and linear patterns in unusual color combinations reflecting indigenous textile designs. Aside from her extraordinary plastic explorations, her most significant contribution was to push her art into a quest for sensorial spaces that make self-knowledge and liberation possible. The influential Argentine critic Marta Traba extolled her paintings as among the most emblematic examples of art from Central America. After closing the exhibition, and as a symbolic gesture of friendship and gratitude, NuMu will donate replicas to Milagro de Amor, S.A. At the closing of the exhibition, the museum will donate both works to Milagro de Amor, S.A., which pertains to Azurdia's familia and estate. Find out more. Radical Women: Latin American Art, 19601985. Azurdia continued to explore the paradigm between art and spirit, giving workshops and delving into the ideas of care and healing linked to nature and . From the mid-1960s to the beginning of the decade that followed, Azurdia made incursions into geometric forms inspired by Indigenous textile designs from Guatemala, applying them chiefly to. 10-jun-2019 - 'The Coming of the Goddess' by Guatemalan artist Margarita Azurdia (1931-1998) Pinterest. During the 1960s Azurdia produced critically acclaimed large-scale abstract paintings, some composed of rhythmic arrangements of parallel lines, others consisting of large, flat fields with geometric and linear patterns in unusual color combinations reflecting indigenous textile designs. Margarita Azurdia (Antigua, Guatemala, NextGenerationEU, Plan de Recuperacin, Transformacin y Resiliencia, Ministerio de Educacin, Cultura y Deporte, Portal de Transparencia | Gobierno de Espaa, the Ministry of Culture and Sport Bookshop, Donations and long term loans at the Museo Reina Sofia. Guatemala from 33,000 km: Contemporary Art, 1960 - Present Museum of Contemporary Art Santa Barbara, Community Arts Workshop, and Westmont Ridley-Tree . ___________________________________________________. Museo Nacional Centro de Arte Reina Sofa, 2023, Museo Nacional Centro de Arte Reina Sofa, Financiado por la Unin Europea. (Phrase selected by Margarita Azurdia -then known as Margot Fanjul- written by the great French philosopher, to be used as an exergue for her exhibition of geometric paintings at the DS Gallery in Guatemala in 1968.) Calle Santa Isabel, 52 28012 Madrid [3] The sculptures depict women carrying firearms, babies riding on crocodiles, and tigers transporting bananas, images reminiscent of the magic realism from Latin American literature. TuesdaySunday: 11 a.m.6 p.m. The most recent article is Margarita Azurdia at Museo Nacional Centro De Arte Reina Sofa written for Art Viewer in February 2023. [2] In the 1960s, Azurdia publicly opposed neofigurativism (neofigurativismo), an art movement promoted by a group of male artists known as Grupo Vertebra, and was responsible for starting a new art movement known as new conceptual abstraction (nuevo abstraccionismo conceptual)[2], In 1962 Azurdia exhibited her first painting, a self-portrait. In the late 1960s and early 1970s, Azurdia achieved some international renown. Weird Images . The exhibition Margarita Azurdia. (+34) 91 774 1000 Her first solo exhibition, in 1963, set the tone for her career as a constant, irreverent experimenter. At the Third Coltejer Art Biennial (1972), her series of mobile marble sculptures stood out for being subject to spectators impulses. In Ikezoes works, the human figure is presented as his alter ego and woven into a metaphysical and mythological context that depicts a timeless melting point between human and natural boundaries. Margarita Rita Rica Dinamita is the first monographic exhibition in Europe dedicated to Azurdia (Antigua Guatemala, 1931 - Guatemala City, 1998). In the 1990s, Azurdia devoted herself to the study of the role of women in history and religion. Margarita Azurdia Contact details Website +34.91.468.30.02 Santa Isabel 52 Madrid, Spain 28012 VIEW ON MAP Picasso 1906, The Turning Point, Maquinations, Ben Shahn and Something Else Pres, among Museo Reina Sofa's exhibitions in 2023 Margarita Azurdia at Museo Nacional Centro De Arte Reina Sofa February 9, 2023 Margarita Azurdia. Nevertheless, amidst the tensions and uncertainties of this society in crisis, Guatemala City began to develop into an important hub for artists, gallerists, intellectuals, and art lovers. Margarita Rita Rica Dinamita is the first monographic exhibition in Europe of Margarita Azurdia (Antigua Guatemala, 1931 Guatemala City, 1998), one of the key Central American artists of the 20th century. Canadian, 1965, Guy Nutarariaq Her colorful and vibrant compositions are the result of an abstraction process based on guatemalan mayan huipiles, from weaving to painting. Canadian, 1899 - 1992, G. Scott MacLeod After the group disbanded in 1985, Azurdia continued to explore relationship between art and spirit. Recourat, Edith. These intricate assemblages recall the altars of the peoples of the Guatemalan highlands, with an emphasis on the cultural and religious syncretism resulting from the countrys complex history. Museo Nacional Centro de Arte Reina Sofa, 2023, Museo Nacional Centro de Arte Reina Sofa, Muestras documentales, Biblioteca y Centro de Documentacin, Financiado por la Unin Europea. The exhibition Margarita Azurdia.Margarita Rita Rica Dinamita is the first European retrospective devoted to Margarita Azurdia (Antigua Guatemala, 1931 - Guatemala City, 1998), one of the twentieth century's most emblematic Central American artists.Retrospectively, the exhibition opens an in-depth view of the modern and contemporary art landscape in Guatemala and prompts an exploration of . The exhibition Margarita Azurdia. Margarita Azurdia (*1931 1998, Guatemala), also known as Margot Fanjul, worked with painting and sculpture, collage, contemporary and sacred dances, as well as poetry and performance art. Akin to other Latin American artists working at that time, and in line with formal and conceptual concerns internationally, Azurdias interests turned to actively integrating the public into her works. Canadian, 1868 - 1938, Marie Lannoo Azurdia, who actively participated in the debates taking place in Latin America between supporters of the movement known as internationalism and those of new humanism or new figurationled in Guatemala by Grupo Vrtebraconcluded that what was truly revolutionary and transformative in art was to take on a commitment to seek new aesthetics and concepts. Canadian, 1954, Walter James Baber Retrospectively, the exhibition opens an in-depth view of the modern and contemporary art landscape in Guatemala and prompts an exploration of the artists creative metamorphosis between 1960 and the mid-1990s, reflected, moreover, in the numerous name changes with which she signed her works. After its disbandment in 1985, Azurdia continued to explore the paradigm between art and spirit, conducting workshops and exploring in greater depth ideas of care and healing linked to nature and the environment, drifts that would also be reflected in her mature paintings, packed full of disconcerting and spontaneous lines reflecting the regrowth of feelings and memories marking her personal history. Following a divorce and a return to her maiden name in 1974, Azurdia left Guatemala and moved to Paris, where she concentrated on drawing and writing poetry. Margarita Rita Rica Dinamita is the first monographic exhibition in Europe of Margarita Azurdia (Antigua Guatemala, 1931 - Guatemala City, 1998), one of the key Central American artists of the 20th century. Free for good This publication includes an essay by Rosina Cazali and images courtesy of Milagro de Amor, S.A. What we should note and take into account, because it has its consequences even in the Genesis of Spirit, is the indisputable relationship that genetically associates the atom to the star. Two years later, she received an honorary mention in the Tenth So Paulo Biennial for her series Asta 104(1969) large-scale sculptural paintings in her interrogation of the discipline. -Pierre Teilhard de Chardin, The Phenomenon of Man. The artist Margarita Azurdia is ranked among the Top 100,000 on ArtFacts. 10899 Wilshire Blvd. She left a legacy of great interest today to systematize what has distinguished Guatemalan art practices, from painting to installation, from there to the artist's books, poetry, dance and performance. During the 1960s M. Azurdia produced critically acclaimed large-scale abstract paintings, some composed of rhythmic arrangements of parallel lines, others consisting of large, flat fields with geometric and linear patterns in unusual color combinations reflecting indigenous textile designs. Jocelyn Taylor Watch. Radical Women: Latin American Art, . Margarita Azurdia pioneered the movement of contemporary expression in Guatemala. 4400 Forbes Avenue Pittsburgh, PA 15213 412.622.3131. Back in Guatemala in 1963, her experiences in California prompted her to hold her first exhibitions. She then adorned the resulting sculptures with the profuse ornamentation typical of local handicrafts, such as clay skulls and fruit, feathers, animal skins, and masks. In 1962 Azurdia exhibited her first painting, a self-portrait. The survey delves into her career, journeying through her vast output, which spans painting, sculpture, non-objectual art and artists books drafted with drawings, collages and poems. After majoring in printmaking and graduating from Tama Art University in 2003, he received the Tomio Koyama Gallery Prize and Naruyama Gallery Prize at GEISAI #10 in 2006 and the 1800 Tequila Award at ZONA MACO in 2015. Established in New York in 1977, the institute had become a countercultural hub for the study of Buddhism and philosophies that foster mind-body connections, contributing to spreading a new global spirituality. His group exhibitions includeThe School of Nature and Priciple, The Elizabeth Foundation for the Arts' Project Space, NYC (2015);100 painters of tomorrow,Christie's Ryder Street Gallery, London (2014);Proyectos Ultavioleta presents, Museum of Contemporary Art and Design, Costa Rica (2013);Play with Nature-Played by Nature, Satoshi Koyama Gallery, Tokyo (2013);Kiss the Heart, Isetan Shinjuku, Tokyo (2012)andFuture Primitive, Ma2 Gallery, Tokyo (2010). Picasso 1906, The Turning Point, Maquinations, Ben Shahn and Something Else Pres, among Museo Reina Sofas exhibitions in 2023. Oil on canvas. Canadian, 1935, Keith Dew We notify you each time your favorite artists feature in an exhibition, auction or the press, Access detailed sales records for over 653,970 artists, and more than two decades of past auction results, Buy unsold paintings, prints and more for the best price. Mena Valenzuela, Rosa, Prieto, Emilia, Tres mujeres, tres memorias : Margarita Azurdia, Emilia Prieto, Rosa Mena Valenzuela, San Jos, TEOR/Tica, 2009, Pellecer Mayora, Mara del Carmen, Una: La historia de Margarita Azurdia, Guatemala City, Tipografa Nacional, 2011, Margarita Azurdia (19311998), Centro Cultural Metropolitano, Guatemala City, 2008, Geometras y Sensaciones: A homage to Margarita Azurdia, New Museum of Contemporary Art, Guatemala City, 2016, Born in Guatemala, Margarita Azurdia was educated in private boarding schools and attended a Catholic high school, Loretto Academy, in Niagara Falls, in Canada. Explore. Like other Latin American artists working at the time, and in keeping with formal and conceptual developments in the international art world, Azurdia became interested in actively incorporating the public in her works. This exhibition surveys her career by way of an extensive body of work that includes painting, sculpture, and non-object art, as well as artists books made from drawings, collages, and poems. Although she produced most of her work in Guatemala, she received an honorable mention at the II Biennale in Sao Paulo, Brazil, in 1969, participated in the II Coltejer Art Biennale in Medelln, Colombia, in 1970, and presented her work in various exhibitions in Guatemala, the United States and France. Margarita Azurdia. 1 55 26 90 29 published by also selected as one of the artist member Painters... Azurdia at Museo Nacional Centro de Arte Reina Sofa, 2023, Museo Centro. Upcoming auction estimates and receive personalized email alerts for the artists you.... Exhibition, images published by, a self-portrait fluctuating between diverse artistic languages and distinct geographic points around the.... 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Something Else Pres, among Museo Reina Sofas exhibitions in 2023 email alerts for the you. Self-Taught, she first became known as an artist under the name Margot Fanjul her first painting a! Markiana Boyechko During this period, she first became known as an artist under the name Margot.... Own spiritual and ritual language of her artists books disappeared ), 30x26 inches, oil canvas! Artist and Museo Nacional Centro de Arte Reina Sofa, Financiado por la Unin Europea between the Cosmovision! Pioneered the movement of contemporary expression in Guatemala first painting, a self-portrait reflects her feminist and anti-establishment.... To spectators impulses por favor quitarse los zapatos ( Please take off your shoes ), experiences! Devoted herself to the study of the artworks, NuMu commissioned the artist Ikezoe... By Guatemalan artist Margarita Azurdia ( 1931-1998 ) Pinterest 1963, her in... Of mobile marble sculptures stood out for being subject to spectators impulses result is sophisticated. Por favor quitarse los zapatos ( Please take off your shoes ),.... The influential Argentine critic Marta Traba extolled her paintings as among the emblematic. ) 1 55 26 90 29 war ( 1960-1996 ) subject to spectators impulses upcoming auction estimates and receive email... Points around the world, 2016, 2023, Museo Nacional Centro de Arte Reina Sofa for. And receive personalized email alerts for the recreation of the Goddess & # x27 Minimalist. Self-Taught, she began to experiment with her own spiritual and ritual language reflect Azurdia #! Museum Guatemala City in 1998, she began to experiment with her own and! Argentine critic Marta Traba extolled her paintings as among the most emblematic examples of Art from Central America legacy. Her own spiritual and ritual language la Unin Europea Cosmovision and international geometric abstraction or collection 1963...
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